8 prompts para fotos que parecen de película

$ USE THE UPLOADED REFERENCE IMAGE AS THE ONLY SOURCE OF IDENTITY. DO NOT CREATE A NEW PERSON. ABSOLUTE IDENTITY LOCK.

Preserve 100% of the woman's face shape, skull structure, forehead, hairline, eyebrows, hazel-green eyes, eyelids, eye spacing, nose, nostrils, lips, mouth width, teeth, jawline, chin, cheekbones, ears, skin texture, the asymmetric freckles across her nose and cheeks, the small raised mole above the right corner of her mouth, facial asymmetry, body proportions and age. She MUST be instantly recognizable as the exact same individual from the uploaded reference image. DO NOT beautify, DO NOT stylize, DO NOT generate another person, DO NOT modify facial proportions, DO NOT slim the face, DO NOT enlarge the eyes, DO NOT change the nose or the lips, DO NOT smooth the skin, DO NOT remove the freckles or the mole, DO NOT change age or ethnicity. Identity beats everything else. Her hair is dark blonde — in black and white it reads as a mid grey, and the loose strands must stay.

SCENE: a stone bridge over a river at night in a European city.

She stands at the balustrade in a long dark wool overcoat with the collar up, torso turned away from the camera and head turned back over her shoulder toward the lens, chin slightly lifted, unsmiling. Dark hair pinned up with loose strands escaping and blowing across her face. Visible from the waist up.

Behind her: an ornate iron street lamp glowing, the far bank of the river with a bridge and a lit tower dissolving into bokeh, the black water below catching the lights in long streaks.

LIGHT: the street lamp sits BEHIND HER HEAD, burning a halo along the loose strands. Her face is turned into shadow, lifted only by the pale bounce off the wet stone balustrade.

THE LOOK — identical across the whole set:

BLACK AND WHITE, and not a filter: the image must be LIT for black and white. Deep true blacks with no detail in them, a narrow band of greys, and a few blown highlights. Strong contrast. Visible coarse film grain, heavier in the shadows. Slight vignette. The faint warm-sepia tone of an old print.

THE SIGNATURE LIGHT — this is the whole set and it must be unmistakable: the light source sits BEHIND THE SUBJECT'S HEAD, so it burns a bright rim along the loose, damp, windblown strands of hair and separates the head from the dark background. The FACE stays in half shadow, lit only by what bounces off the wet street. NO fill light on the face from the front. NO softbox, NO ring light, NO studio setup.

NIGHT, and it has been raining: the pavement is wet and mirrors every light. Fine rain visible against the dark. Background city lights fall out of focus into soft round bokeh — that is the ONLY place bokeh is allowed; the subject stays sharp.

SKIN: real and unretouched — visible pores, uneven texture, damp skin, a few flyaway hairs, natural shine where the rim light catches. NOT airbrushed, NOT smoothed, NOT plastic.

Shot on a 50mm lens at f/2, high ISO. Cinematic still, 1940s European film noir. Photorealistic, 8K, style raw, vertical 4:5. No text, no logos, no watermarks anywhere in the image.

$ USE THE UPLOADED REFERENCE IMAGE AS THE ONLY SOURCE OF IDENTITY. DO NOT CREATE A NEW PERSON. ABSOLUTE IDENTITY LOCK.

Preserve 100% of the man's face shape, skull structure, forehead, hairline, short curly black hair, eyebrows, eyes, eyelids, eye spacing, nose, nostrils, lips, mouth width, teeth, jawline, chin, cheekbones, ears, skin texture, facial asymmetry, body proportions and age. He MUST be instantly recognizable as the exact same individual from the uploaded reference image. DO NOT beautify, DO NOT stylize, DO NOT generate another person, DO NOT modify facial proportions, DO NOT slim the face, DO NOT enlarge the eyes, DO NOT change the nose or the lips, DO NOT smooth the skin, DO NOT change the hairstyle, DO NOT change age or ethnicity. Identity beats everything else. Discard the purple studio background completely.

SCENE: a wet city street at night, beside a parked 1940s car.

He leans back against the car door in a dark overcoat over a shirt and loosened tie, one hand in his pocket, head turned to look off past the camera, jaw set, unsmiling. Visible from the thighs up.

Behind him: the street receding with lit shopfronts and lamps dissolving into bokeh, a figure walking far away, the wet road throwing all of it back.

LIGHT: a street lamp BEHIND HIS HEAD burns a rim along his curly hair and the shoulder of the coat. His face stays in half shadow, lifted only by the pale bounce off the car's wet roof.

THE LOOK — identical across the whole set:

BLACK AND WHITE, and not a filter: the image must be LIT for black and white. Deep true blacks with no detail in them, a narrow band of greys, and a few blown highlights. Strong contrast. Visible coarse film grain, heavier in the shadows. Slight vignette. The faint warm-sepia tone of an old print.

THE SIGNATURE LIGHT — this is the whole set and it must be unmistakable: the light source sits BEHIND THE SUBJECT'S HEAD, so it burns a bright rim along the loose, damp, windblown strands of hair and separates the head from the dark background. The FACE stays in half shadow, lit only by what bounces off the wet street. NO fill light on the face from the front. NO softbox, NO ring light, NO studio setup.

NIGHT, and it has been raining: the pavement is wet and mirrors every light. Fine rain visible against the dark. Background city lights fall out of focus into soft round bokeh — that is the ONLY place bokeh is allowed; the subject stays sharp.

SKIN: real and unretouched — visible pores, uneven texture, damp skin, a few flyaway hairs, natural shine where the rim light catches. NOT airbrushed, NOT smoothed, NOT plastic.

Shot on a 50mm lens at f/2, high ISO. Cinematic still, 1940s European film noir. Photorealistic, 8K, style raw, vertical 4:5. No text, no logos, no watermarks anywhere in the image.

$ USE THE UPLOADED REFERENCE IMAGE AS THE ONLY SOURCE OF IDENTITY. DO NOT CREATE A NEW PERSON. ABSOLUTE IDENTITY LOCK.

Preserve 100% of the woman's face shape, skull structure, forehead, hairline, eyebrows, hazel-green eyes, eyelids, eye spacing, nose, nostrils, lips, mouth width, teeth, jawline, chin, cheekbones, ears, skin texture, the asymmetric freckles across her nose and cheeks, the small raised mole above the right corner of her mouth, facial asymmetry, body proportions and age. She MUST be instantly recognizable as the exact same individual from the uploaded reference image. DO NOT beautify, DO NOT stylize, DO NOT generate another person, DO NOT modify facial proportions, DO NOT slim the face, DO NOT enlarge the eyes, DO NOT change the nose or the lips, DO NOT smooth the skin, DO NOT remove the freckles or the mole, DO NOT change age or ethnicity. Identity beats everything else. Her hair is dark blonde — in black and white it reads as a mid grey, and the loose strands must stay.

SCENE: a wet city street at night, wide and empty.

She stands mid-frame in a dark overcoat, hands in her pockets, body angled slightly away, looking off to the side past the camera with a distant expression. Hair loose and damp, blowing sideways.

Behind her: a row of lit windows and shop signs falling far out of focus into round bokeh, a parked car in silhouette, the road surface mirroring everything.

LIGHT: a lamp behind and above her right shoulder rims the top of her head and one cheekbone. The rest of her face falls into deep shadow. The wet asphalt in front kicks a faint grey glow back up under her chin.

THE LOOK — identical across the whole set:

BLACK AND WHITE, and not a filter: the image must be LIT for black and white. Deep true blacks with no detail in them, a narrow band of greys, and a few blown highlights. Strong contrast. Visible coarse film grain, heavier in the shadows. Slight vignette. The faint warm-sepia tone of an old print.

THE SIGNATURE LIGHT — this is the whole set and it must be unmistakable: the light source sits BEHIND THE SUBJECT'S HEAD, so it burns a bright rim along the loose, damp, windblown strands of hair and separates the head from the dark background. The FACE stays in half shadow, lit only by what bounces off the wet street. NO fill light on the face from the front. NO softbox, NO ring light, NO studio setup.

NIGHT, and it has been raining: the pavement is wet and mirrors every light. Fine rain visible against the dark. Background city lights fall out of focus into soft round bokeh — that is the ONLY place bokeh is allowed; the subject stays sharp.

SKIN: real and unretouched — visible pores, uneven texture, damp skin, a few flyaway hairs, natural shine where the rim light catches. NOT airbrushed, NOT smoothed, NOT plastic.

Shot on a 50mm lens at f/2, high ISO. Cinematic still, 1940s European film noir. Photorealistic, 8K, style raw, vertical 4:5. No text, no logos, no watermarks anywhere in the image.

$ USE THE UPLOADED REFERENCE IMAGE AS THE ONLY SOURCE OF IDENTITY. DO NOT CREATE A NEW PERSON. ABSOLUTE IDENTITY LOCK.

Preserve 100% of the man's face shape, skull structure, forehead, hairline, short curly black hair, eyebrows, eyes, eyelids, eye spacing, nose, nostrils, lips, mouth width, teeth, jawline, chin, cheekbones, ears, skin texture, facial asymmetry, body proportions and age. He MUST be instantly recognizable as the exact same individual from the uploaded reference image. DO NOT beautify, DO NOT stylize, DO NOT generate another person, DO NOT modify facial proportions, DO NOT slim the face, DO NOT enlarge the eyes, DO NOT change the nose or the lips, DO NOT smooth the skin, DO NOT change the hairstyle, DO NOT change age or ethnicity. Identity beats everything else. Discard the purple studio background completely.

SCENE: a doorway at night, tight portrait.

Head and shoulders only, very close. He faces the camera three quarters, chin low, eyes lifted toward the lens, mouth closed and serious. Dark overcoat, white shirt collar open, tie pulled loose. Damp curly hair pushed back with strands falling forward.

Behind him: total darkness with two or three distant lights far out of focus.

LIGHT: a lamp high BEHIND HIM rims the top of his hair and the edge of one ear and shoulder. The front of his face is very dark — just enough grey to read the eyes and the line of the nose. This is the darkest image of the set.

THE LOOK — identical across the whole set:

BLACK AND WHITE, and not a filter: the image must be LIT for black and white. Deep true blacks with no detail in them, a narrow band of greys, and a few blown highlights. Strong contrast. Visible coarse film grain, heavier in the shadows. Slight vignette. The faint warm-sepia tone of an old print.

THE SIGNATURE LIGHT — this is the whole set and it must be unmistakable: the light source sits BEHIND THE SUBJECT'S HEAD, so it burns a bright rim along the loose, damp, windblown strands of hair and separates the head from the dark background. The FACE stays in half shadow, lit only by what bounces off the wet street. NO fill light on the face from the front. NO softbox, NO ring light, NO studio setup.

NIGHT, and it has been raining: the pavement is wet and mirrors every light. Fine rain visible against the dark. Background city lights fall out of focus into soft round bokeh — that is the ONLY place bokeh is allowed; the subject stays sharp.

SKIN: real and unretouched — visible pores, uneven texture, damp skin, a few flyaway hairs, natural shine where the rim light catches. NOT airbrushed, NOT smoothed, NOT plastic.

Shot on a 50mm lens at f/2, high ISO. Cinematic still, 1940s European film noir. Photorealistic, 8K, style raw, vertical 4:5. No text, no logos, no watermarks anywhere in the image.

$ USE THE UPLOADED REFERENCE IMAGE AS THE ONLY SOURCE OF IDENTITY. DO NOT CREATE A NEW PERSON. ABSOLUTE IDENTITY LOCK.

Preserve 100% of the woman's face shape, skull structure, forehead, hairline, eyebrows, hazel-green eyes, eyelids, eye spacing, nose, nostrils, lips, mouth width, teeth, jawline, chin, cheekbones, ears, skin texture, the asymmetric freckles across her nose and cheeks, the small raised mole above the right corner of her mouth, facial asymmetry, body proportions and age. She MUST be instantly recognizable as the exact same individual from the uploaded reference image. DO NOT beautify, DO NOT stylize, DO NOT generate another person, DO NOT modify facial proportions, DO NOT slim the face, DO NOT enlarge the eyes, DO NOT change the nose or the lips, DO NOT smooth the skin, DO NOT remove the freckles or the mole, DO NOT change age or ethnicity. Identity beats everything else. Her hair is dark blonde — in black and white it reads as a mid grey, and the loose strands must stay.

SCENE: directly beneath an iron street lamp on a narrow pavement, rain falling hard.

She stands under the lamp looking straight up into it, eyes closed, face fully tilted to the sky, rain running down her face and neck. Long dark overcoat, collar open. Visible from the chest up.

LIGHT — the most extreme of the set: the lamp is DIRECTLY OVERHEAD. It blows out her forehead, the bridge of her nose and her cheekbones to near white, and drops her eye sockets, the underside of her nose and her chin into total black. Every falling raindrop between her and the lamp is lit up as a bright streak.

THE LOOK — identical across the whole set:

BLACK AND WHITE, and not a filter: the image must be LIT for black and white. Deep true blacks with no detail in them, a narrow band of greys, and a few blown highlights. Strong contrast. Visible coarse film grain, heavier in the shadows. Slight vignette. The faint warm-sepia tone of an old print.

THE SIGNATURE LIGHT — this is the whole set and it must be unmistakable: the light source sits BEHIND THE SUBJECT'S HEAD, so it burns a bright rim along the loose, damp, windblown strands of hair and separates the head from the dark background. The FACE stays in half shadow, lit only by what bounces off the wet street. NO fill light on the face from the front. NO softbox, NO ring light, NO studio setup.

NIGHT, and it has been raining: the pavement is wet and mirrors every light. Fine rain visible against the dark. Background city lights fall out of focus into soft round bokeh — that is the ONLY place bokeh is allowed; the subject stays sharp.

SKIN: real and unretouched — visible pores, uneven texture, damp skin, a few flyaway hairs, natural shine where the rim light catches. NOT airbrushed, NOT smoothed, NOT plastic.

Shot on a 50mm lens at f/2, high ISO. Cinematic still, 1940s European film noir. Photorealistic, 8K, style raw, vertical 4:5. No text, no logos, no watermarks anywhere in the image.

$ USE THE UPLOADED REFERENCE IMAGE AS THE ONLY SOURCE OF IDENTITY. DO NOT CREATE A NEW PERSON. ABSOLUTE IDENTITY LOCK.

Preserve 100% of the man's face shape, skull structure, forehead, hairline, short curly black hair, eyebrows, eyes, eyelids, eye spacing, nose, nostrils, lips, mouth width, teeth, jawline, chin, cheekbones, ears, skin texture, facial asymmetry, body proportions and age. He MUST be instantly recognizable as the exact same individual from the uploaded reference image. DO NOT beautify, DO NOT stylize, DO NOT generate another person, DO NOT modify facial proportions, DO NOT slim the face, DO NOT enlarge the eyes, DO NOT change the nose or the lips, DO NOT smooth the skin, DO NOT change the hairstyle, DO NOT change age or ethnicity. Identity beats everything else. Discard the purple studio background completely.

SCENE: standing on a street corner at night in the rain, a cigarette between his lips, unlit.

Full torso, he stands square to the camera with the collar of his overcoat turned up against the rain, hands in his pockets, looking slightly off to one side. Hair soaked and pushed back.

Behind him: a wide wet avenue with a row of lamps in perspective, a car in the distance, everything else in bokeh.

LIGHT: two lamps behind him at different distances — one close, one far — so there are TWO rims of different brightness on his hair and shoulders. His face is lit from below by the reflection of the lamps in the puddle at his feet.

THE LOOK — identical across the whole set:

BLACK AND WHITE, and not a filter: the image must be LIT for black and white. Deep true blacks with no detail in them, a narrow band of greys, and a few blown highlights. Strong contrast. Visible coarse film grain, heavier in the shadows. Slight vignette. The faint warm-sepia tone of an old print.

THE SIGNATURE LIGHT — this is the whole set and it must be unmistakable: the light source sits BEHIND THE SUBJECT'S HEAD, so it burns a bright rim along the loose, damp, windblown strands of hair and separates the head from the dark background. The FACE stays in half shadow, lit only by what bounces off the wet street. NO fill light on the face from the front. NO softbox, NO ring light, NO studio setup.

NIGHT, and it has been raining: the pavement is wet and mirrors every light. Fine rain visible against the dark. Background city lights fall out of focus into soft round bokeh — that is the ONLY place bokeh is allowed; the subject stays sharp.

SKIN: real and unretouched — visible pores, uneven texture, damp skin, a few flyaway hairs, natural shine where the rim light catches. NOT airbrushed, NOT smoothed, NOT plastic.

Shot on a 50mm lens at f/2, high ISO. Cinematic still, 1940s European film noir. Photorealistic, 8K, style raw, vertical 4:5. No text, no logos, no watermarks anywhere in the image.

$ USE THE UPLOADED REFERENCE IMAGE AS THE ONLY SOURCE OF IDENTITY. DO NOT CREATE A NEW PERSON. ABSOLUTE IDENTITY LOCK.

Preserve 100% of the woman's face shape, skull structure, forehead, hairline, eyebrows, hazel-green eyes, eyelids, eye spacing, nose, nostrils, lips, mouth width, teeth, jawline, chin, cheekbones, ears, skin texture, the asymmetric freckles across her nose and cheeks, the small raised mole above the right corner of her mouth, facial asymmetry, body proportions and age. She MUST be instantly recognizable as the exact same individual from the uploaded reference image. DO NOT beautify, DO NOT stylize, DO NOT generate another person, DO NOT modify facial proportions, DO NOT slim the face, DO NOT enlarge the eyes, DO NOT change the nose or the lips, DO NOT smooth the skin, DO NOT remove the freckles or the mole, DO NOT change age or ethnicity. Identity beats everything else. Her hair is dark blonde — in black and white it reads as a mid grey, and the loose strands must stay.

SCENE: pressed against a rough wet brick wall in a narrow alley at night.

She leans her shoulder and the side of her head against the bricks, body in profile, face turned toward the camera, eyes level and steady. Long dark coat. Visible from the waist up, tight framing.

Behind her: the alley receding, a single lamp far down it, a fire escape in silhouette, all in soft bokeh.

LIGHT: the far lamp is BEHIND HER, so it draws a thin bright line down the back of her head and shoulder. Her face is lit only by what the wet bricks return — a dim, textured, uneven light. Almost nothing in the frame is bright except that edge.

THE LOOK — identical across the whole set:

BLACK AND WHITE, and not a filter: the image must be LIT for black and white. Deep true blacks with no detail in them, a narrow band of greys, and a few blown highlights. Strong contrast. Visible coarse film grain, heavier in the shadows. Slight vignette. The faint warm-sepia tone of an old print.

THE SIGNATURE LIGHT — this is the whole set and it must be unmistakable: the light source sits BEHIND THE SUBJECT'S HEAD, so it burns a bright rim along the loose, damp, windblown strands of hair and separates the head from the dark background. The FACE stays in half shadow, lit only by what bounces off the wet street. NO fill light on the face from the front. NO softbox, NO ring light, NO studio setup.

NIGHT, and it has been raining: the pavement is wet and mirrors every light. Fine rain visible against the dark. Background city lights fall out of focus into soft round bokeh — that is the ONLY place bokeh is allowed; the subject stays sharp.

SKIN: real and unretouched — visible pores, uneven texture, damp skin, a few flyaway hairs, natural shine where the rim light catches. NOT airbrushed, NOT smoothed, NOT plastic.

Shot on a 50mm lens at f/2, high ISO. Cinematic still, 1940s European film noir. Photorealistic, 8K, style raw, vertical 4:5. No text, no logos, no watermarks anywhere in the image.

$ USE THE UPLOADED REFERENCE IMAGE AS THE ONLY SOURCE OF IDENTITY. DO NOT CREATE A NEW PERSON. ABSOLUTE IDENTITY LOCK.

Preserve 100% of the man's face shape, skull structure, forehead, hairline, short curly black hair, eyebrows, eyes, eyelids, eye spacing, nose, nostrils, lips, mouth width, teeth, jawline, chin, cheekbones, ears, skin texture, facial asymmetry, body proportions and age. He MUST be instantly recognizable as the exact same individual from the uploaded reference image. DO NOT beautify, DO NOT stylize, DO NOT generate another person, DO NOT modify facial proportions, DO NOT slim the face, DO NOT enlarge the eyes, DO NOT change the nose or the lips, DO NOT smooth the skin, DO NOT change the hairstyle, DO NOT change age or ethnicity. Identity beats everything else. Discard the purple studio background completely.

SCENE: a wet cobbled street at night in an old European city, rain falling.

He stands centre-right of the frame, torso angled toward the camera, head turned away looking off to the left, expression absent and serious. Dark jacket over a light shirt with a loosened tie, collar open. Visible from the chest up. The camera sits slightly BELOW his eye line, looking up at him.

Behind him: a row of ornate iron street lamps receding down the street in perspective on the left, a figure with an umbrella walking far away, the cobbles shining with reflected light.

LIGHT: the row of lamps sits BEHIND HIM, so the nearest one burns a bright halo through his curly damp hair. His face is in half shadow, one side barely lifted by the light bouncing off the wet cobbles.

THE LOOK — identical across the whole set:

BLACK AND WHITE, and not a filter: the image must be LIT for black and white. Deep true blacks with no detail in them, a narrow band of greys, and a few blown highlights. Strong contrast. Visible coarse film grain, heavier in the shadows. Slight vignette. The faint warm-sepia tone of an old print.

THE SIGNATURE LIGHT — this is the whole set and it must be unmistakable: the light source sits BEHIND THE SUBJECT'S HEAD, so it burns a bright rim along the loose, damp, windblown strands of hair and separates the head from the dark background. The FACE stays in half shadow, lit only by what bounces off the wet street. NO fill light on the face from the front. NO softbox, NO ring light, NO studio setup.

NIGHT, and it has been raining: the pavement is wet and mirrors every light. Fine rain visible against the dark. Background city lights fall out of focus into soft round bokeh — that is the ONLY place bokeh is allowed; the subject stays sharp.

SKIN: real and unretouched — visible pores, uneven texture, damp skin, a few flyaway hairs, natural shine where the rim light catches. NOT airbrushed, NOT smoothed, NOT plastic.

Shot on a 50mm lens at f/2, high ISO. Cinematic still, 1940s European film noir. Photorealistic, 8K, style raw, vertical 4:5. No text, no logos, no watermarks anywhere in the image.